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Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside). |
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Ariodante
The Metropolitan Opera: Boris Godunov
Lady Macbeth of Mtsensk
Maometto secondo
Dardanus
Die Walküre
Siegfried
Farinelli
The Metropolitan Opera: Die Walküre
Bizet: The Pearl Fishers
Gounod Faust
La Gioconda - Opera Bruxelles
Macbeth - Teatro alla Scala
Gianni Schicchi
La Traviata
Puccini: Turandot
Bedřich Smetana: Tajemství
Prodaná nevěsta
The Metropolitan Opera: The Tempest
The Metropolitan Opera: Cavalleria Rusticana & Pagliacci |
