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In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line. |
The Wolf and the Seven Goat Kids
Down the Mine
Zepo
Sabaku
Expectations
Pulcinella
Caminandes: Llamigos
Meaning of Robots
The Window
A Doonesbury Special
Контуры
Glare
Solitaire
Carabosse
Fallin' Floyd
The Flight
The Man Who Waited
Geist
Satie's "Parade"
Way of Giants |