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His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves. |
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Passages
Man Up!
Dune: Part Three
How to Have Sex
Bring the Soul: The Movie
Only the Animals
The Sea
We Still Kill the Old Way
Hercules and the Circle of Fire
Vita & Virginia
In the Name of the Land
Five Blind Dates
The Petrified Forest
We
Socorro, Virei uma Garota!
Fireworks
Joe Kidd
Problemista
BTS World Tour: Love Yourself in Seoul
Don't. Get. Out!
Laura ou le voyage de Compostelle
La Jetée
BoxBallet
Fate/Prototype
WayWard Manor
The Colour of Your Lips
Dumped
Anything Happens
Swap
A Love Story of Today
Après-ski
Mashin Sentai Kiramager Spin-Off: Yodonna 3: Yodonna's Valentine
101 Reykjavik
Modern/Love
The Scarf
Don't Keep Your Love a Secret
Family Plan
Kangourou
Head Out
Hot Water
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