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His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves. |
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Yu Yu Hakusho: Poltergeist Report
With a Right to Kill
Defeat of the German Forces Near Moscow: The Restored Soviet WW2 Documentary
The Senior Class
Triassic Attack
Moscow Elegy
AA
Lake of Dracula
For frihed og ret
Sissi: The Fateful Years of an Empress
Toto and the Kings of Rome
The Beautiful Person
Underworld: Evolution
The Latin Explosion: A New America
Star Wars: Episode II - Attack of the Clones
Underworld: Rise of the Lycans
Free Willy 3: The Rescue
Deus ex Machina: The Philosophy of 'Donnie Darko'
Great
Six Days of Sistine
Tooty's Wedding
Sauna the Dead: A Fairy Tale
The Last Two Lovers at the End of the World
Show Me Love
Still Life
The Gay Parisian
101 Reykjavik
Pulpe Amère
True
Fire
Professor Godoy
Máriine oči
Coin Laundry
A Thoughtful Night
Mezmer
SPECTRUM
The Star
Water Lilies
From the Bottom of the Vortex
I Am Desire
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