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In ‘Love’, the subtleties of first desires to climactic scenes of impassioned dialogue and action, to betrayal, disgust and violence that have played out over the history of film are ripped from original contexts and edited into a repetitive staccato rush, regurgitating, for our entertainment, horror and critique, the stereotypical, hyperbolic trajectory of (heterosexual) love. Through this process Moffatt unites the graphic punch and suggestiveness of the still image with the satisfaction of a complete movie narrative. In the end, its only a movie. ‘Love’ embodies Moffatt’s desire to create work that has an ‘international look’ and deal with ‘universal predicaments’. 'Love' is both parody and pastiche, critical comment, and wryly humorous. |
Sweet Sex and Love
Love
Oppenheimer
Bullet Train
Knives Out
Abigail
Spider-Man: No Way Home
Alien: Romulus
Ghostbusters: Afterlife
Elemental
After We Fell
Black Adam
Encanto
Civil War
Uncut Gems
Dune: Part Two
The Creator
Under Paris
The Last Duel
Atlas
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