|
|
In ‘Love’, the subtleties of first desires to climactic scenes of impassioned dialogue and action, to betrayal, disgust and violence that have played out over the history of film are ripped from original contexts and edited into a repetitive staccato rush, regurgitating, for our entertainment, horror and critique, the stereotypical, hyperbolic trajectory of (heterosexual) love. Through this process Moffatt unites the graphic punch and suggestiveness of the still image with the satisfaction of a complete movie narrative. In the end, its only a movie. ‘Love’ embodies Moffatt’s desire to create work that has an ‘international look’ and deal with ‘universal predicaments’. 'Love' is both parody and pastiche, critical comment, and wryly humorous. |
Sweet Sex and Love
Love
High School Musical 2
Sapphire Blue
Scary Movie 2
The Tuche Family: The American Dream
High School Musical
High School Musical: The Concert
Hello, My Name Is Doris
The Hours
Taken 3
Stitch! The Movie
A Better Tomorrow II
The Perks of Being a Wallflower
Small Crimes
Concussion
A Hologram for the King
Into the Woods
Naomi and Ely's No Kiss List
Ricki and the Flash
|