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Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them. |
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Change Itself – An Art Apart: Genesis Breyer P-Orridge
Phantasia
SubBerlin - Underground United
Intellect: Techno House Progressive
Armin Only: Imagine
Ryuichi Sakamoto + Alva Noto: The Glass House
Commercial Entertainment Product
Faithless: Passing the Baton - Live From Brixton
Europe in 8 Bits
The Sound Is Innocent
Khamsin
To B or to B Flat - the composer Boudewijn Buckinx
IRIS: A Space Opera by Justice
Deconstructing Dad: The Music, Machines and Mystery of Raymond Scott
The House That Trax Built
COOCUYO
Nightmare on Rezz Street
The Goddess on the Throne
Lindsey Stirling: Brave Enough
O2 Wireless Festival Presents: Daft Punk Live
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