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Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience. |
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Meshes of the Afternoon
Carabosse
A Cinderella Story: If the Shoe Fits
Hers is a Lush Situation
Begotten
Neverwhere
A Christmas Carol
Environmental Training
Apple Pie
How To Strip For Your Man by GiO
Indo...
River of Fundament
Poet's Dream
The Letter
Cirque du Soleil: Journey of Man
The Tin Woodman's Home Movie #2: California Poppy Reserve, Antelope Valley
Dog Star Man
Les Ballets de Monte Carlo: Le Songe
Karkalou
Magnética
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