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Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience. |
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Carabosse
Monelle
How to Hold a Cloud to the Ground
Alchemization
Snake in Home
Demonios
Anatomia do Fauno
She Stays
Rocket Gang
Karl's Perfect Day
Moonwalker
Big Bang Love, Juvenile A
Cirque du Soleil: Journey of Man
La cité des neuf portes
Radha
Endless
Sadness of the Anthropophagi
UUFO
Breathe
River of Fundament
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