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Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience. |
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Matouqin Nocturne
Moonwalker
Big Bang Love, Juvenile A
Starstruck: Gene Kelly's Love Letter to Ballet
Karkalou
Neverwhere
Normality
Magnética
The Letter
River of Fundament
Dog Star Man
A Christmas Carol
Carabosse
Pop in Q
Begotten
Environmental Training
Indo...
Woolgathering
Cirque du Soleil: Journey of Man
Cremaster 3
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