|
||||||||||||||||||||||||||||||
|
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness. |
||||||||||||||||||||||||||||||
Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé
Killer of Men
Mantovani, the King of Strings
Maine Pyar Kiya
Christmas Carole
Main Krishna Hoon
Rheme Maining Sources
Bird Thongchai Concert #1/1988 Kaolao ThongChai (Mai-Ngok)
Phosphor
Scooby-Doo! and the Werewolves
40
Escape from DS-3
Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo
The Jungle
Do Re Mi
Maine-Ocean Express
Mugamoodi
Dash Berlin - Live at Ultra Music Festival Miami Mainstage 2015
UFC Fight Night 111: Holm vs. Correia
|
