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Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players. |
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Verdi-Requiem mit Riccardo Muti
The Raft of the Medusa
I Pagliacci
Il Trovatore
Rigoletto
The Nutcracker
Handel: Xerxes (Serse)
Puccini: Tosca (Arena di Verona)
Rameau: Les Indes galantes
Sounds of Dortmund
La Gioconda - Opera Bruxelles
Ariodante
The Metropolitan Opera: Boris Godunov
Benvenuto Cellini
Mozart: Die Entführung aus dem Serail
Gounod: Faust
Don Pasquale
Il Trovatore
Verdi: Otello
Dardanus
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