|
||||||||||||||||||
|
Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces. |
||||||||||||||||||
Puccini: Manon Lescaut
O Die Zee
Hannah and Her Sisters
Carmen
Salome
The Lighthouse
The Fiery Angel
Puccini: Tosca (Arena di Verona)
Die Walküre
Che Si Può Fare?
Bedřich Smetana: Libuše
Phantom of the Opera
River of Fundament
Giulio Cesare in Egitto
Owen Wingrave
Don Giovanni
Norma: Live from the Royal Opera House
The Metropolitan Opera: Tristan und Isolde
Amadeus
Gluck: Iphigenie en Aulide / Iphigenie en Tauride
|
