|
||||||||||||
|
Titus and Berenice love each other; under the watchful eye of Antiochus, the hopeless lover, they try yet refuse to understand each other. Taking up the “majestic sadness” of these alexandrines, among the greatest verses in the French language, Michael Jarrell amplifies the power of words, making them a vehicle for spaces and identities that, from Rome to Jerusalem, are unceasingly questioned. |
||||||||||||
Amadeus
Puccini: Tosca (Arena di Verona)
Wagner: Parsifal
Die Walküre
The Fiery Angel
Farinelli
O Die Zee
Rimsky-Korsakov: The Golden Cockerel
Don Giovanni
River of Fundament
I Promessi Sposi - Opera Moderna
Verdi: Don Carlo
The Beggar's Opera
Lisa Limone and Maroc Orange: A Rapid Love Story
The Phantom of the Opera
Der fliegende Holländer
Hadrian
Bizet: Carmen
Hannah and Her Sisters
Gluck: Orfeo ed Euridice
|
