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An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking. |
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Love, Antosha
Hello, Goodbye, and Everything in Between
How to Have Sex
With Love, Christmas
3 Faces
Once Upon a Time... in Hollywood
Three Floors
Rebel in the Rye
The Book of Solutions
NYAD
Jigen Daisuke
Battle of the Sexes
Monster
About Dry Grasses
Poor Things
The Teachers' Lounge
Devil's Gate
Passages
Anatomy of a Fall
I Lost My Body
That's Roman Porno: Smile of Goddesses
Akasaka sex zone: Gaijin baishun-fu
Pink Coffins
Ran Mitsuo: Niku shiiku
Kairaku Shôten-buro
Jokōsei torio: seikan shiken
Koichiro Uno's Wet and Riding
Swedish Porno: Blonde Animal
Hādo reipu
Za Honban: Joshidai nama furisode pātī
Blue Lagoon: A Summer Experience
Masked Crusader, Mr. Jirenman
Gynecology Ward: Caress Me Tenderly
Bishimai: Aegu
A Woman In The Paintng
Onna shinken-shi: Irojikake midare yubi
Kanjiru wakazuma no amai mitsu
Danchi Tsuma Maruhi Mono Kurabe
Shojo hanayome: Hajimete no yorokobi
Apartment Wife Tied Up
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