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The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound. |
Late Spring
Mauvais Sang
Young Frankenstein
The Executioner
Kalki 2898-AD
Memory
Hotel Chevalier
Fiddler on the Roof
The Animal Kingdom
The End We Start From
Love on the Run
L'Argent
The Cabinet of Dr. Caligari
Phantasm III: Lord of the Dead
The Women
D2: The Mighty Ducks
Macbeth
The Navigator
The War of the Roses
Finding Neverland
Self Discovery
Where Do You Stand Now, João Pedro Rodrigues?
Live, song, live!
Maeterlinck in the dark
Carriage
Queen of Splinters
A Ghost In The Making
Silversun Pickups: Behind Better Nature
A Good Night in the Ghetto
Ka mua ka muri
Life Squared
The Sun's Gonna Shine
Last Dance
Laundriness
Megha's Divorce
La Rose et le Barrage
Didier Rousseau, sculptor, performance
Moneyball: Playing the Game
Find My Phone
Dylan
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