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The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound. |
Re-Kill
Kamen Rider W Returns: Kamen Rider Eternal
Star Wars: Episode II - Attack of the Clones
Return of the Seven
Beverly Hills Cop II
Live Free or Die Hard
Return to Horror Hotel
The Lost World: Jurassic Park
Q & A
Don Camillo in Moscow
Returner
Return of the Tooth Fairy
The Chronicles of Riddick: Dark Fury
Urotsukidōji III: Return of the Overfiend
Rocky Balboa
Return to Innocence
The Return of the Tall Blond Man with One Black Shoe
Jack
The Return
Rambo III
Meaning of Robots
Do Útero Ao Túmulo
Oasis
Time and Terrain
Sexy Show
Ricardo
Kpaima
Ñuu Kanda (Move)
Oh butterfly, what dou you dream of when you flap your wings?
The Lonely Wanderer
Civil Servant P327JUM
Self Discovery
The Girl with the Rivet Gun
Excess Will Save Us
From 3 to 22
Ocean Oasis
The Spirit Of Witkacy
GINI VIDI VICI
Feel Like Going Home
Neverland Firsthand: Investigating the Michael Jackson Documentary
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