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When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense. |
Days of the Bagnold Summer
Fight Club
Inception
Joker
Oppenheimer
The Others
Full Metal Jacket
Furiosa: A Mad Max Saga
Schindler's List
Alien
Naked Gun 33⅓: The Final Insult
Matthias & Maxime
Ex Machina
The Godfather
The Amityville Horror
No Hard Feelings
Inglourious Basterds
The Dark Knight
Green Book
Star Wars
Mirrors of Bergman
Mystery Train: Hitchcock and The Lady Vanishes
Obsessed with Vertigo: New Life for Hitchcock's Masterpiece
Ozu: Passageways
Eye Photography
Beyond Doubt: The Making of Hitchcock's Favorite Film
The Green Fog
Terror in the Aisles
P.T. Anderson: Close-Ups
Alfred Hitchcock: Master of Suspense
78/52
Hitchcock/Truffaut
Screenwriter John Michael Hayes on 'Rear Window'
Shepperton Babylon
Hitchcock's Confession: A Look at I Confess
The Illustrated Hitchcock
Eyeblink
'Rear Window' Ethics: Remembering and Restoring a Hitchcock Classic
Wes Anderson: From Above
Phoenix Tapes
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