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Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed). |
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How I'm Goin' Public
Hansa
Shadows
The New Cinema
Ricky Tomlinson Remembers... The Royle Family
Memory Room 451
Momentum
Guide to a Midwest Hometown
Paddle Together
Lost Contact
Edwin
Night and Fog
Sea in the Blood
Workers Leaving the Lumière Factory
Endeavour
Dom starych kobiet
Devil in the Room
The Eagles of Carthage
Blow-Ups of 1947
Translating History to Screen
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