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"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973 |
12
Groot's Pursuit
Friends Jokes
Evolution of KL Drift
The Three Friends
New
Kali: Avenging Angel
Film
A Married Woman's Ejaculation Log
Barbie: Spy Squad
Accordion Player
Love
Amarsi un po'...
LE CASO MIRASSOL 2
The Wild Soccer Bunch 2
Divarkesh
NULL
Descendants: The Rise of Red
24 Hours with Gaspar
Traffic Crossing Leeds Bridge
China Is Still Far
The Image Book
In The Footsteps Of Frantz Fanon
A Propos D'Un Crime
Déjà le sang de mai ensemençait novembre
The Panafrican Festival in Algiers
La Bataille d'Alger, l'empreinte
Beneath the Concrete, The Forest
Many Beautiful Things
Guerre sans images - Algérie, je sais que tu sais
Boudjemâa et la Maison Cinéma
Guns of Freedom
¿Por qué la gallina cruzó el camino?
Las Preguntas que Perdimos
Frantz Fanon, trajectoire d'un révolté
Planet Malek
Pierre Clément, Cinéma et Révolution
L'Histoire Du Film "La Bataille D'Alger"
Algérie du possible
The Beaches of Agnès
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