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"An exciting experiment in the tradition of Oskar Fischinger (Komposition in Blau, 1935), Dwinell Grant (Composition No. 1, 1940) and Slavko Vorkapich (Abstract Experiment in Kodachrome, 1950s). Max Hattler presents a well-done interaction between music and moving images. Space is turned upside down and the animated objects become faceless dancers in a constructivist ballet." Vienna Independent Shorts 2010, jury statement by Anton Fuxjäger |
The Ravens
Accordion
The Colours of My Father: A Portrait of Sam Borenstein
The House and the Fear
The Bleacher
The Lost Season
Solitaire
Octane
Bug Diner
Jump
Bob's Funeral
Various Loops
Rest in Peace
Two Bagatelles
Moth
Sex Ed by God
Manual Man
Samuel de Champlain: Québec 1603
Dreams in the Field
Eye for an Eye
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