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Jake Chapman explores why Goya's The Disasters of War etchings are so central to his own art and explains why, for him, there is a fundamental conflict at the heart of Goya's art. |
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Frida Kahlo & Tina Modotti
Crystal Christ I: La Pasarela de la Muerte
In·spi·ra·tion
The Mountain That Had To Be Painted
Your Day Is My Night
They're All Painted If You Actually Look
Earth Hum
The Big Wheel
The Kingdom of Dreams and Madness
African Underground: Democracy in Dakar
David Lynch: The Art Life
Lyonel Feininger – Ein Künstler zwischen den Welten
Jasper Johns: Ideas in Paint
Tintoretto: A Rebel in Venice
Pelle vegetale. Un'intervista
Utopia Ltd.
Square Fieldwork
Through a Lens Darkly: Black Photographers and the Emergence of a People
Hockney at the Tate
Freeze: But is it Art?
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