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It’s firstly the portrait of an area, France’s north coast between Dunkirk and Calais, where Olivier Derousseau lives and works: ransacked landscapes, port installations, plumes of smoke from the chimneys of petrochemical facilities, blown by the wind… It’s also a musical suite in five parts, a kind of minimalist blues lovingly composed in memory of time and people that have disappeared: the constant bass of juggernauts on the motorway, the percussion of the wind in the microphones, all the world’s sounds blending into a repetitive guitar thread. And it’s a melancholy meditation on the stuff of days, the flesh of the future, on irretrievable erasure and the traces waiting and hoping to be saved. |
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RETURN
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Star
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Star!
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Alienoid: Return to the Future
Crime in Connecticut: The Story of Alex Kelly
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Ali G, Aiii
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Tracey Emin C.V. Cunt Vernacular
123 Hugs
After being abducted
Untitled Hannibal Project
Shamshera
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