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In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney. |
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Panic in the Mailroom
Puppy
Minions: Training Wheels
The Arrival of a Train at La Ciotat
Intervene
Beloved
Coming Home
Catwalk
Antoine and Colette
Les enfants de bohème
Life's Musical Minute
El Reggaetonero
The Handmaid's Tale Scene Recreation: "Offred"
Alea
Vanille
Von Stufe zu Stufe
The Mistress
The Wicked Little Witch
The Boogeyman
Tsuyako
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