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African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis. |
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If Beale Street Could Talk
Dune
Whiplash
Joker
The Godfather
1917
Parasite
Knives Out
Interstellar
La La Land
Back to the Future
The Shining
A Clockwork Orange
Fight Club
The Hangover
WALL·E
Dunkirk
Inglourious Basterds
Beetlejuice
Monty Python and the Holy Grail
A Son of Africa: The Autobiography of a Slave
The L Word Mississippi: Hate the Sin
bell hooks: Cultural Criticism & Transformation
The Story of Funk: One Nation Under a Groove
Kenyatta: Do Not Wait Your Turn
Bittersweet
Zydeco
Operation Breadbasket
Echoes 'Cross the Tracks
Paris Is Burning
Michelle Obama: Life After the White House
PAJUBÁ - Vivendo a Interseccionalidade
Bill T. Jones: Still/Here
Disco: Soundtrack of a Revolution
Parliament Funkadelic - The Mothership Connection
Affirmations
America's Untold Journey: 450 Years of the African American Experience
Soul Food Junkies
Mr. Dynamite: The Rise of James Brown
Still Black: A Portrait of Black Transmen
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