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If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos. |
May•JEJU•Day
Soup and Ideology
Legend of the Waterflowers
Until the Stones Speak
April Tragedy
Breathing Underwater
Jam Docu GangJeong
Vote Young Ones
없는 노래
Voices
Haewon
Jeju Prayer
Lessons from Jeju
Hot Pink Dolphins
Diving Women of Jeju-do
Daughter of the Sea
The Shooters
Their Own Ways
A Red Color Pencil
Burial Of This Order
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