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At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century." |
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L'intimité
Mistr Theodorik
Bob Ross: The Happy Painter
Agnes Martin: With My Back to the World
David Hockney: Joiner Photographs
Being and Becoming Chua Ek Kay
From Dust to Light
Martin Benka a hudba
China's Van Goghs
Thomas Hart Benton
My Friend Richard
Visite à Oscar Dominguez
Maliar doktora smrti
1874, The Birth of Impressionism
Survivors: Portraits of the Holocaust
The Great Museum
............ (ellipsis, ellipsis, ellipsis...)
your fingerprints on my eyes... or will it be the opposite...
They're All Painted If You Actually Look
I, Claude Monet
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