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Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance. |
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Beauvoir, l'aventure d'être soi
Regarding Susan Sontag
Virago: Changing The World One Page at a Time
Faça Você Mesma
Not Bad for a Girl
Chile 73' o la historia que se repite
Recuerdos del futuro: Raúl Pellegrín
Breaking the Cycle
María Domínguez. La palabra libre
After Winter Comes Spring
Moi, agricultrice
Dixie Chicks: Shut Up and Sing
I'm Not Speak English
Conversation Behind the Scenes
Rape Culture
Teaches of Peaches
Delphine and Carole
Tasha Diamant's Human Body Project
A Woman's Place
Women at the stake
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