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Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium. |
Fifteen Love
The Baby of Mâcon
Chicken Scratch
Interface
Tissues
Dada
Comic Encounter in the Djurgården
The Invisible Monster
Bondage Prison
Kaleidoscope Dreams
Poison in the Water
The Death of Toys
Dinner for Two
The Scary Movie
Sweet Rhythms
Metropolitan Crush
Stain Removal
Summer 2021
Junction
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