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A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films. |
The Contact Enigma
The Indispensable Practice of Vagueness
Moving Memories
October in Madrid
Magritte or the Object Lesson
Searching for the Perfect Gentleman
A Film Inspired by Real Events
Bitva o život
Zaniklý svět Karla Pecky
Im Reich Des Squatters
On Memory
Pineapple
Serious Games 2 – Three Dead
Serious Games 3 – Immersion
Serious Games 4 – A Sun With No Shadow
I, Apostate
Ozu: Passageways
Twilight
Oblivion
Heimat Is a Space in Time
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