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Vladislav Kuvitsyn (born November 2, 1982) is a Russian actor known for his work in both theater and film. Since 2005, he has been an actor at the Theater at Nikitsky Gate, where he works with his twin brother, actor Vadim Kuvitsyn. Kuvitsyn attended RATI-GITIS, where he studied ballet under F.N. Khachaturian from 2004 to 2009. He continued his education at RATI-GITIS from 2009 to 2013, focusing on acting under the guidance of People's Artist of Russia A.I. Sheynin. Kuvitsyn's career in film and television has seen him take on a variety of roles over the years: In 2009, he had a cameo appearance in "The Disappeared Ones" 2011 saw his work in two projects - "Corporation" (a short film) and "Rezhim Polnogo Pogruzheniya" (a feature film) in which he played the role of Gleb (a sailor). In 2012, he appeared in the TV series "Cordon of Detective Savelyev." Kuvitsyn's work in television continued in 2013 with appearances in multiple series, including "Cop-Law-7," "Second-Lethal-2," and "Karpov-2". In 2020, he took on roles in short films like "A Soul for Two" and "Childfree Goodstorymedia." His most recent work includes short film "No Signal" by Anton Kononov in 2022 and sci-fi feature "1984" in 2023 by Diana Ringo, where he played a doctor. Kuvitsyn's theater roles include: - "Hamlet" (2014) at the Theater at Nikitsky Gate, where he portrayed Rosenkrantz. - "Investigation of Cornet Elagin" (2012) at the Theater at Nikitsky Gate, where he played the role of witness Zaleskiy. - "Catcher in the Rye" (2009) at the Theater at Nikitsky Gate, in which he portrayed Stredleiter. - In 2008, he was part of the production "Tales of Tsar Max Emelyan." In 2012, Kuvitsyn received a diploma as a participant in the "Russkaya Komediya" festival in Rostov-na-Donu for his role as Piero in "Tales of Tsar Max Emelyan." The festival was overseen by People's Artist of Russia Igor Kostolevskiy. In 2006, he was honored with the 1st Prize in the "Boris Brunov Estrada Artist Competition" in the "Estrada Dance" category, recognizing his skill in the world of performance. |