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George Segal constructs a type of human form and vulnerability that feels rare in the world of sculpture. As we follow his process at the isolated New Jersey farmhouse that serves as his studio, the intimacy between Segal and his art is contagious. He casts people who he knows, respects and admires, making the final outcome of the piece seep with personality and humanity. Segal is focused on creating a mold that does not necessarily subscribe to society’s notion of beauty. Originally released in 1979. |
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The Witch of Kings Cross
Jesus Christ Saviour
The Kingdom of Dreams and Madness
Joe Fafard, selfie
Ana Mercedes Hoyos
Back To Africa
The Michelangelo Code: Lost Secrets of the Sistine Chapel
Hockney at the Tate
Biafra
A Body Like Mine
Jasper Johns: Ideas in Paint
New York is Now
A Time for Making
Visite à Oscar Dominguez
Angel Applicant
MMXIII
Drew Friedman: Vermeer of the Borscht Belt
The Great Contemporary Art Bubble
David Lynch: The Art Life
Charlie Chaplin, The Genius of Liberty
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