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France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll. |
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Poulenc: Dialogues des Carmelites
The Narcissistic Fish
Don Giovanni
Som om ... tiden stått still
Bellini: I Capuleti e i Montecchi
Offenbach: The Tales of Hoffmann (Komische Oper Berlin)
Giuseppe Verdi - Nabucco
Jonas Kaufmann: Cavalleria Rusticana / Pagliacci
Opéra National de Paris: Verdi's La Traviata
Falstaff
Bizet: Carmen
Verdi: I Due Foscari
La bohème - Liceu
Romeo et Juliette - Liceu
Benjamin: Lessons in Love and Violence
Glass: Kepler
The Beggar's Opera
The Metropolitan Opera: Siegfried
The Metropolitan Opera: Götterdämmerung
Verdi: Don Carlo
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